Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries – of taste, of bodies, of reason – are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the materna...(展开全部)

Slumber Party Massacre. Pet Sematary. Near Dark. American Psycho -- These horror movies have heavily contributed to pop culture and are loved by horror fans everywhere. But so many others have been forgotten by history. From the first silent reels to modern independent films, in this book you’ll discover the creepy, horrible, grotesque, beautiful, wrong, good, and fantastic -- ...(展开全部)

In 1918, right after the Russian Revolution, the highly gifted student Lazarus Lindt comes to Moscow carrying with him nothing but lice and a notebook. The Women of Lazarus tells a big part of Lazarus' life story, following three important women in it: his mentor's wife, his own young wife and their granddaughter. Set against the background of the twentieth century, Moscow and ...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

In 1918, right after the Russian Revolution, the highly gifted student Lazarus Lindt comes to Moscow carrying with him nothing but lice and a notebook. The Women of Lazarus tells a big part of Lazarus' life story, following three important women in it: his mentor's wife, his own young wife and their granddaughter. Set against the background of the twentieth century, Moscow and ...(展开全部)

A dystopian tale of a power struggle between the sexes in the post-nuclear future, perfect for readers of Margaret Atwood and Ursula K. Le Guin. After a nuclear holocaust, women rule the world. Using advanced technology, they’ve expelled men from their vast walled cities to roam the countryside in primitive bands, bringing them back only for the purpose of loveless reproductio...(展开全部)

From the liars of the fantastical and fabular and from the domains of the unconscious's mysteries...lie the brides in the Bloody Chamber - hunts unwillingly the Queen of the Vampires - slips Red Riding Hood into the arms of the Wolf - pimps our Puss-In-Boots for his lustful master. In tales that glitter and haunt - strange nuggets from a writer whose wayward pen spills forth st...(展开全部)

安洁拉·卡特（Angela Carter,1940-1992），英国最具独创性的作家之一，书写风格混杂魔幻写实、歌德式、女性主义。曾获得切特南文学节奖、詹姆斯．泰特．布雷克纪念等奖项。 安洁拉·卡特的作品以幻想题材为主，糅合魔幻现实主义、女性主义、哥特风格和寓言色彩于一体，戏仿童话，重塑传奇，想象奇诡，语言瑰丽，于世界文坛独树一帜。她曾于1969年获毛姆奖，1983年担任布克奖评委。《时代》周刊将其誉为二十世纪最杰出的作家之一。《焚舟纪》是其短篇小说全集。 安洁拉愠祓蹲1940年在英国伊斯特本（Eastbourne）出生。二十岁结婚，在克逻伊登广告（Croydon Advertise）工作，并在布里斯托尔（Bristol）大学英国文学系进修。1969年离婚，迁居日本两年。 1976 至78年，她成为大不列颠艺术协会研究员，在谢菲尔德大学开设写作课程，...(展开全部)

In the Event of Women outlines the stakes of what Tani Barlow calls “the event of women.” Focusing on the era of the late nineteenth century through the mid-twentieth century's Cultural Revolution, Barlow shows that an event is a politically inspired action to install a newly discovered truth, in this case the mammal origins of human social evolution. Highbrow and lowbrow socia...(展开全部)

Amazingly, there has never been a book quite like The Art of Horror a celebration of frightful images, compiled and presented by some of the genre's most respected names. While acknowledging the beginnings of horror-related art in legends and folk tales, the focus of the book is on how the genre has presented itself to the world since the creations of Bram Stoker and Mary Shell...(展开全部)